BADIOU, Alain (2008) “Rhapsody for the theatre: a short philosophical treatise”, Theatre Survey, 49:2, Novembro de 2008
BAYLY, Simon (2011) A Pathognomy of Performance, London, Palgrave Macmillan
BARISH, Jonas (1981) The Antitheatrical Prejudice, Berkeley, University of California Press
BLAU, Herbert (1964) The Impossible Theater: A Manifesto, New York, The MacMillan Company
BLAU, Herbert (1982) Take up the Bodies: theater at the vanishing point, Urbana, Univ. Of Illinois Press
BLAU, Herbert (1992) To All Appearances: ideology and performance, New York, Routledge
BLAU, Herbert (2009) “Performing in the chaosmos: farts, follicles, mathematics and delirium in Deleuze”, in Laura Cull (ed.), Deleuze and Performance, Edinburgh, Edinburgh University Press
BLAU, Herbert (2011) Reality Principles: from the absurd to the virtual, The University of Michigan Press
BLAU, Herbert (2012) As if: an autobiography, The University of Michigan Press
CAVELL, Stanley (2003) Disowning Knowledge in Seven Plays of Shakespeare, Cambridge, Cambridge University Press
CULL, Laura (ed.) (2009) Deleuze and Performance, Edinburgh, Edinburgh University Press
DELEUZE, Gilles ; GUATTARI, Félix (sem data) O Anti-Édipo : capitalismo e esquizofrenia, Lisboa, Assírio & Alvim (or. ed.:1972)
DELEUZE, Gilles (1979) « Un manifeste de moins », in Carmelo Bene e Gilles Deleuze, Superpositions, Paris, Minuit
DELEUZE, Gilles (1984) La logique de la sensation (tome 1), Paris, Aux Editions de la Différence
DELEUZE, Gilles (1985) Cinéma II: L'image-temps, Paris, Minuit
DELEUZE, Gilles (2003) Différence et répétition, Paris, PUF (or. ed.:1968)
DERRIDA, Jacques (1978) “The theatre of cruelty and the closure of representation”, in Writing and Difference, Chicago, University of Chicago Press
DIDEROT, Denis (1991) Paradoxe sur le comédien, Castenau-le-Lez, Climats (or. ed. 1830)
GEERTZ, Clifford (2004) “Blurred genres: the refiguration of social thought”, in Henry Bial (ed.), The Performance Studies Reader, New York, Routledge
GIL, José (2001) Movimento Total: o corpo e a dança, Lisboa, Relógio d’Água, 255 pages
GIL, José (2006) "Paradoxical Body" in The Drama Review, MIT Press, vol 5, Nov. 2006
GIL, José (2006) "The dancer's body" in Brian Massumi (ed.) A Shock to Thought, Routlege, London and New York, 2002.
KRASNER, David; SALTZ, David Z. (eds.) (2009) Staging Philosophy: Instersections of theater, Performance and philosophy, Michigan, The University of Michigan Press
MOLDER, Maria Filomena (2010) “Cries, falses substitutes and figurative expressions”, in A. Marques e N. Venturinha(eds.), Wittgenstein on Forms of Life and the Nature of Experience, Peter Lang, Bern, Berlin, Bruxelles, Franfurt am Main, New York, Oxford, Wien, pp. 39-63.
MOLDER, Maria Filomena (2010) “Stammering in a strange tongue: the limits of language in The Birth of Tragedy in the light of Nietzsche’s Attempt at a Self-Criticism”, in João Constâncio and Maria JoãoBranco (eds.) Nietzsche. On Instinct and Language, Walter de Gruyter, Berlin/Boston, pp.259-279.
MONTEIRO, Paulo Filipe (1994) “Os públicos dos teatros de Lisboa: primeiras hipóteses”, Análise Social, vol. XXIX, nº 129, 1994, pp. 1229-1244
MONTEIRO, Paulo Filipe (1996) Os Outros da Arte , Oeiras, Celta, 316 pages
MONTEIRO, Paulo Filipe (1998) Editor of the volume “Dramas” of Revista de Comunicação e Linguagens, where he published “Artaud entre a vida e a morte”, pp. 135-142 and translated “Performance and performative culture: theatre as a cultural model”, by Erika Fischer-Lichte, pp. 143-169
MONTEIRO, Paulo Filipe (1999) “El fuego de Pina Bausch”, Revista Apuntes Teatro, nº 116, Santiago de Chile, 2º semestre de 1999
MONTEIRO, Paulo Filipe (2010) Drama e Comunicação, Imprensa da Universidade de Coimbra, 461 pages
PUCHNER, Martin (2002a) “The theatre in modernist thought”, New Literary History, vol. 33, nº 3
PUCHNER, Martin (2002b) Stage Fright: Modernism, Anti-Theatricality and Drama, The Johns Hopkins University Press
PUCHNER, Martin (2010) The Drama of Ideas: Platonic Provocations in Theatre and Philosophy, Oxford University Press
ROKEM, FREDDIE (2000) Performing History: Theatrical Representations of the Past in Contemporary Theatre, University of Iowa Press, Iowa City.
ROKEM, FREDDIE (2004) Strindberg’s Secret Codes, Norvik Press, Norwich, UK
ROKEM, FREDDIE (2010) Philosophers and Thespians: Thinking Performance, Stanford University Press, Stanford, 2010.
ROZZONI, Claudio (2012) Per un’Estetica del Teatro: um percorso critico. Testi di Simmel, Merleau-Ponty, Fink, Deleuze, Mimesis, Milano
STEINER, George (1996) No Passion Spent, New Haven and London, Yale University Press